Splendour and simplicity
Two exhibitions present rare, traditional works of art that highlight contrasting features
Rare pieces of Korean traditional art, spanning from the Bronze Age to the 19th-century Joseon era, have been brought together this summer to present the exquisite beauty of Korean art.
The Leeum, Samsung Museum of Art is showcasing national treasures of Korea and valuable Korean artefacts on loan from leading foreign art institutions that highlight lavish features, exquisite details and refined artistry.
In contrast to the Leeum exhibition that explores the opulence of Korean art, the Kansong Museum has put together paintings of plums, orchids, chrysanthemums and bamboo from the Joseon period (1392-1910), so-called “sagunja” paintings that highlight the simplicity of the era’s art. It is the fourth in the exhibition series of the Kansong Art and Culture Foundation taking place at the Dongdaemun Design Plaza.
The “Exquisite and Precious: The Splendour of Korean Art” at the Leeum presents art pieces representative of each historical period including a gold crown, earrings from Gaya and Silla (BC 57-AD 935), celadon pieces from Goryeo (918-1392), lacquerware inlaid with mother-of-pearl, Buddhist statues and Joseon paintings.
“This exhibition brings together pieces of traditional Korean art that represent the mastery and meticulousness of Korean craftsmanship,” curator Jo Ji-yoon explains.
Four years in the making, the exhibition gathered six of nine of Goryeo’s lacquered sutra boxes inlaid with mother-of-pearl used to store Buddhist scriptures in the 13th century. The six rare pieces are from the Tokyo National Museum, Kitamura Museum, the British Museum, Museum of Fine Arts Boston, Rijksmuseum in Amsterdam and a private collector.
The Goryeo dynasty was so renowned for its advanced mother-of-pearl inlay technique that envoy Xu Jing from China’s Song dynasty wrote in a book published in 1123, “(Goryeo’s) mother-of-pearl inlay techniques are so exquisite that they are truly precious.”
Another highlight piece is the 12th-century celadon ewer of Goryeo on loan from Brooklyn Museum in the US.
The light green vessel shows the delicate handicraft of Goryeo celadon masters and their imagination. On close inspection, a small butterfly comes into sight. The adult butterfly has just come out from the chrysalis and sits on the side of the top part, preparing to fly toward the blooming lotus flower.
“The vessel was made for a royal family of Goryeo. Its patterns and decorations are considered to be the best and most elaborate among Goryeo celadon pieces,” Jo says.
The vessel also has another story.
Originally owned by Joseon royalty, it was presented by Queen Min of Joseon to Lillias Horton Underwood, the wife of early missionary to Korea Horace Grant Underwood and a doctor who attended to Queen Min. The celadon piece was later donated to the Brooklyn Museum in New York City by the Underwood family.
The Kansong Art and Culture Foundation also reveals 100 Joseon paintings from its prized collection of Korean traditional art.
“The Four Gracious Plants” at the Dongdaemun Design Plaza features sagunja paintings of plums, orchids, chrysanthemums and bamboo – symbols that represent virtues the Joseon literati upheld, such as loyalty, integrity, nobility and strong willpower.
It shows a rare book with still life paintings and poems by renowned 16th century Joseon painter Lee Jeong, the great-grandson of King Sejong. Lee painted on black silk fabric with gold paint and compiled his works into a book to raise morale during the Japanese invasion of Korea in the 16th century.
The display also includes elegant paintings of orchid and plum by Kim Hong-do, one of Joseon’s top painters, as well as paintings with poems by Kim Jung-hee, a prominent scholar who excelled in writing, painting and calligraphy.
